January 9, 2017

Constructing an Ecological Pantheistic Worldview with Emerson and Dillard

Image result for nature and human

The Following is the final paper I wrote for a philosophy course I recently took called The American Mind.  We were assigned to write about a topic we learned about using at least two of the writers we covered.  The views of nature that these two writers expressed was something that stood out for me, as well as the concept of pantheism, which was a recurring theme in the class.  I decided to join these together to write about something I think is important that had been on my mind, especially with other ecology classes I was taking.


            Most people today don’t think that they live in nature.  Nature is a separate thing. It’s what you see when drive through a forested area, or go for a hike in the woods.  But at what point does the natural world end and society begin?  Of course it’s all a matter of the way you want to think of it.  Nature can be a clearly defined thing, neatly marked off from the concept of civilization; or it can be an all encompassing term that includes everything on earth and beyond.  The problem is, when we think of nature and society too much as distinctly separate, we tend to forget how closely intertwined the two really are, and we neglect the fact that each can do great harm to the other.  This is seen all too often today as people and corporations put their own self-interests over the wellbeing of the environment.  I need not go into specific examples.  What we need today more than ever is a worldview that sees society and the environment as one and the same, each encompassing many different closely interacting aspects within a single universal ecosystem.  This could be thought of as a form of pantheism (a system of views describing or worshiping all things as part of the same whole) but focusing on the idea of the environment and humanity as one and interacting by the laws of ecology. 
            Two American philosophers in particular that I have come across have constructed through their writings something similar to this.  In the nineteenth century Ralph Waldo Emerson, in his essay Nature, describes his mystical relationship with and view of nature, something he finds extremely beautiful and moving.  Over a hundred years later, Annie Dillard wrote in her book Pilgrim at Tinker Creek about a year she spent living in Virginia’s Blue Ridge Mountains, in which she immersed herself in, and spent countless hours observing and thinking about the natural world.  Both embrace a pantheistic view in which they revere nature as a whole almost religiously, and often feel like they themselves are a part of its grand structure.  Each’s view of nature and its connection with humankind is distinctly different.  However, each also incorporates aspects of the ecological pantheistic worldview that today’s society is in need of.  Each compliments the other, and together can be helpful in forming this worldview. 

            In order to build a worldview that embraces nature and society as one and the same, it’s helpful to begin with each of our own personal relationships with nature.  If we feel like we ourselves are part of the natural world, then it’s not such a stretch to see all of mankind as part of that system.  Emerson and Dillard both find such a feeling when they go into nature.  In one of the most famous excerpts that Emerson is known for, he writes, “Standing on the bare ground, — my head bathed by the blithe air, and uplifted into infinite space, — all mean egotism vanishes. I become a transparent eye-ball; I am nothing; I see all; the currents of the Universal Being circulate through me; I am part or particle of God.”[1]  This is all simply to say that being in nature gives him the feeling of being part of a grander system, a “Universal Being”, where his sense of his own self, or his egotism, is overcome by his sense of being part of something greater. 
            Dillard has an experience that very closely mirrors this.  She tells of coming across a tree that had apparently once been described by a blind girl who was given the ability to see for the first time as “the tree with the lights in it”.  When she finds the tree she describes becoming “utterly focused and utterly dreamed. It was less like seeing than being for the first time seen, knocked breathless by a powerful glance.”[2]  Though less explicit than Emerson, she implies that in this moment she feels not as a specific person but in the presence of something greater that is “seeing” her, or encapsulating her. In other words, she suddenly feels part of a greater whole.  This feeling is expressed throughout much of the book (though usually not as strongly).  She often describes the environment she’s in as “creation”, implying that she’s within the fundamental essence of all God supposedly created.  These feelings expressed by Emerson and Dillard both reveal a very similar feeling that they personally feel one with nature, an important starting point to ecological pantheism.  

            Despite their similar feelings on their personal connection with nature, Emerson and Dillard express quite different sentiments about the nature of the natural world itself.  Emerson sees almost all beauty and goodness when he goes into nature.  He writes, “In the presence of nature, a wild delight runs through the man, in spite of real sorrows. Nature says, — he is my creature, and maugre all his impertinent griefs, he shall be glad with me.”  Despite whatever personal troubles a person may be going through, nature to him is always welcoming and good.  He even says “Nature never wears a mean appearance.” 
            Dillard’s perspective often stands in stark contrast.  Though she constantly praises the beauty of nature and on many occasions too feels incredible delight from the things it has to offer, she also finds an immense darkness and cruelty in it.  This is especially prevalent in the second part of the book.  She describes how “we the living are nibbled and nibbling–not held aloft on a cloud in the air but bumbling pitted and scarred and broken through a frayed and beautiful land.”[3]  The natural world to her is a violent and messy place, whose beauty is found in spite of this.  Nature doesn’t welcome you, she believes, but places you within an unfair system where every creature must fend for itself. 
            This is where Emerson and Dillard best complement each other.  Emerson provides the wonder and the joy that is obviously an aspect of nature that can be found.  Meanwhile, Dillard points out the horror and cruelty that is so often an aspect of it as well.  In order to form a complete perspective of the environment we’re a part of we need both of these views.  We can’t appreciate what nature has to offer without seeing the beauty and joy in it, but we also can’t understand the danger we pose to the environment and that it poses to us without grasping the cruel natural system we’re a part of.

            Beyond finding personal oneness with nature and understanding the joy and cruelty within it, ultimately we must come to the most important understanding of all: that society itself and nature are indivisibly part of the same whole.  This requires an ecological perspective that recognizes the constant interactions between society and the natural environment and all its life forms.  Although Emerson is certainly pantheistic when considering himself within nature, he unfortunately stops short of seeing society and nature as one.  He says, “In the wilderness, I find something more dear and connate than in streets or villages.”  To him, nature has a superiority over the human world.  It’s inherently more beautiful, more pure, and more holy than civilization.  There’s nothing wrong with liking being in nature more than being in the city, but as a philosophical view, praising one over the other forms an unnecessary disconnect that is at odds with full ecological pantheism.
            In Pilgrim at Tinker Creek, humans and nature are often in close interaction.  She tells a story of a year when hordes of starlings came to roost in Radford, Virginia for the winter and disrupted human life there with their noise and stench and concerns over spread of disease.  Naturally, the city tried everything they could to eradicate them, from freezing them to death with foam to urging them away with recorded starling distress calls, but ended up only spending thousands of dollars and losing a small portion of the birds.[4]  Of course, populations of animals are usually not so lucky in these types of situations, but what Dillard shows here is that nature is intimately connected with human society, whether we like it or not.  We share the same space, influence each other, and in the end it is as much our land as it is the birds’. Although much of her focus is on the natural world, Dillard doesn’t express the same inherent distinction between the human world and nature as Emerson does, but instead views them as part of the same system.  This is the way we should all view things.

            Emerson’s society-nature duality isn’t totally useless.  Symbolically, his favoring of nature expresses a rejection of the norms that define society.  He goes into nature to embrace his own paradigm of life.  Now more than ever our society needs a new paradigm with which to view the environment.  Both Emerson and Dillard express useful ways of viewing the relationship between humans and nature.  Both experience deep personal feelings of oneness with nature.  Emerson expresses the joy and tranquility that exists within nature, while Dillard expresses the violence and cruelty that also exists.  And Dillard completes the picture by looking at society as interacting and blending within the same larger whole as nature.  These aspects are in contrast with the view people today too often succumb to: that the environment is something exterior to us that we can manipulate without upsetting the balance of a larger system, resulting in dire consequences.  But if we adopt the ecological pantheistic views set out by Emerson and Dillard and start putting the good of the universal ecosystem that includes everything on Earth over the good of our individual selves, we may have a shot at moving things in a better direction.                                  
                                               
Foot Notes 

[1] All Emerson quotes from Nature.
[2] Dillard, Pilgrim at Tinker Creek, 35.
[3] Dillard, Pilgrim at Tinker Creek, 232.
[4] Dillard, Pilgrim at Tinker Creek, 37-38.  

Bibliography
Dillard, Annie. Pilgrim at Tinker Creek. New York, NY: Bantam Books, 1982.
Emerson, Ralph Waldo. "Nature." Ralph Waldo Emerson Texts.                         http://www.emersoncentral.com/nature1.htm.

January 1, 2017

My Favorite Movies and Music of 2016

Image result for waking life
Still from Waking Life (2001)
With 2017 now beginning, I conduct my annual ritual of listing out my favorite things I have seen and listened to in the past year.  These are entirely subjective picks, based on my tastes and what I pay attention to, but if you like similar stuff to me hopefully you'll find these good recommendations.  Read on, if you're interested.

Movies

Best Watched
2016 was a fantastic year for movies for me. I saw many great films, old and new, which I can't list all of here.  Two of these movies I even give a of 9 out of 10, my highest rating.  Most my favorites fit in with the "humanist" type of film that I primarily enjoy, exploring different aspects of the human condition.  Here are my top ten favorite out of about 67 feature films that I watched for the first time this past year:
  1. Waking Life (2001)
  2. Moonlight (2016)
  3. The Danish Girl (2015)
  4. Room (2015)
  5. Right Footed (2015)
  6. Manchester by the Sea (2016)
  7. Southside With You (2016)
  8. Once (2007)
  9. Dazed and Confused (1993)
  10. Brooklyn (2015)

Waking Life Poster
Waking Life (2001)


Best New Movie
I am typically pretty selective of the movies I go see in theaters, so as usual I didn't see a ton of films that were released this year.  However, I tried to seek out the ones that I was most interested in, and as such I think I've seen several of the very best.  I've included some films that were first released in 2015 but did not get a theatrical release in the US until this year (as noted).  These may not technically be 2016 films by some standards, but I put them on my list as they are being considered for this year's US award season.  Here are my top ten out of 15 new feature films I watched this year:
  1. Moonlight
  2. Manchester by the Sea
  3. Southside with You 
  4. The Lobster (2016 US theatrical release)
  5. Everybody Wants Some!!
  6. Knight of Cups (2016 US theatrical release)
  7. Hail, Caesar!
  8. Shifting Sands: On the Path to Sustainability
  9. Cafe Society
  10. Peace Has No Borders
Moonlight Poster
Moonlight     
Worst Watched
Since I can't resist, here are the five movies I saw this year that I liked the least.  None of these are terrible films, just ones that I didn't like much compared to the others (no offence).
  1. Cruel Intentions (1999)
  2. The Neon Demon (2016)
  3. Forgetting Sarah Marshal (2008)
  4. Sleeping with Other People (2015)
  5. Anomalisa (2015)
Cruel Intentions Poster
Cruel Intentions (1999)

Television

I'm not a big watcher of shows, at all, however occasionally I'll see something I'm interested in a stick to it.  This year there was one show (a miniseries, actually) that I watched all the way through, Woody Allen's Crisis in Six Scenes (released on Amazon this year).  Despite many negative reviews, it easily stands up to the rest of his work for me, and I highly recommend it.

Crisis in Six Scenes Poster
Crisis in Six Scenes
   

Music

Best New Album
2016 was not the best music year for me.  Few of my very favorite artists released new material and I struggled to find new albums and songs I really LOVED.  However, many of the artists I like that released new albums this year put forth pretty solid efforts, and some some pulled through with really great records.  My top two albums though were by bands I had never heard of before this year.  Here are my top 10 favorite 2016 albums (or EPs) out of a total of 29 that I listened to this year:

  1. City Club by The Growlers
  2. Born to Burn by Lake of Fire 
  3. Blackstar by David Bowie
  4. Day Breaks by Norah Jones
  5. PersonA by Edward Sharpe and the Magnetic Zeros
  6. Breakin' Point by Peter Bjorn and John
  7. June (EP) by Film School
  8. True Sadness by The Avett Brothers 
  9. Big Mess by Grouplove
  10. Peace Trail by Neil Young
Image result for city club the growlers
City Club by The Growlers 

Best New Album Cover
As album artwork is something that I greatly appreciate and find to be an important part of the record itself, here are my top favorite album covers from new albums I've listened to this year:

  1. City Club by the Growlers (see image above)
  2. Born to Burn by Lake of Fire
  3. Blackstar by David Bowie
  4. Blonde by Frank Ocean
  5. New Skin by CRX

Best Album Not From 2016

Though the majority of the albums I checked out this year were new releases, I did discover some older albums that I really loved.  Here are my top five favorites of these:

  1. Greendale (2003) by Neil Young and Crazy Horse
  2. Loaded (1970) by The Velvet Underground
  3. Graceland (1986) by Paul Simon
  4. Electr-O-Pura (1995) by Yo La Tengo
  5. Trashtopia (2015) by Soddy Daisy 
Image result for greendale neil young
Greendale (2003) by Neil Young and Crazy Horse

Best New Song
This year there was no real clear standout favorite new song for me.  However, there were many great ones, and going through some of the best I've come up with the following list of what are probably my top ten favorites.  If you follow me on Spotify, you can check out my playlist of these songs, titled Top Ten Songs of 2016. 
  1. I'll Be Around by The Growlers
  2. Welcome To Your Life by Grouplove
  3. Peace Trail by Neil Young
  4. OBLIVIUS by The Strokes
  5. One Dance by Drake featuring WizKid and Kyla
  6. With You Tonight by Summer Moon
  7. Angela by The Lumineers 
  8. Why? by Rooney featuring Soko
  9. June by Film School
  10. Fool You've Landed by Mumford and Sons featuring The Very Best and Beatenberg

I'll Be Around by The Growlers

Best Song Not Released in 2016
I didn't make a list of my top older songs that I discovered this year (that would be even more difficult to decide) but one in particular stands out."Oh! Sweet Nuthin'", the last track on The Velvet Underground's 1970 album Loaded is a soaring 7 minute anthem about the romance of having few material goods, and a perfect finish to Lou Reed's tenure with the band.  It also connects with me on a deep level.

Oh! Sweet Nuthin' (1970) by the Velvet Underground 
    
Things I'm Looking Forward to in 2017

2017 is already shaping up to be another great year for movies and music.  In particular, on the music side several of my very favorite artists have announced plans for or have hinted at new releases in the coming year.  If 2016 was perhaps a bit below average for my musical interests, 2017 looks to more than make up for the lull.  Here are the top ten likely releases I'm looking forward to seeing in the new year:

  1. New Arcade Fire album, likely to be released in late spring or early summer.
  2. New Real Estate album, likely to be released in the first half of 2017.
  3. Richard Linklater's new film, Last Flag Flying, currently slated for a 2017 release.
  4. Likely new album from Vampire Weekend.
  5. Likely new album from Los Angeles band Film School.  
  6. Terrence Malick's new Austin-music-scene drama, set for release on March 17.
  7. Alex Garland's new scifi-thriller, Annihilation, set for a 2017 release.
  8. Likely new music from MGMT.
  9. Debut album by The Strokes bassist Nikolai Fraiture's new band, Summer Moon. 
  10. Chris Nolan's new WWII drama, Dunkirk, set for release on July 19.

Arcade Fire warming up for a big 2017 at a festival in New Orleans in October.